MetFilm Sales has acquired international sales rights to Biljana Tutorov and Petar Glomazić’s feature documentary “To Hold a Mountain,” which recently received its world premiere at the Sundance Film Festival, where it was awarded the World Cinema Grand Jury Prize.
MFS will present the title to international buyers for the first time at the EFM in Berlin, and co-reps the title alongside Submarine Entertainment.
Set in the remote highlands of Montenegro, the film tells the story of a shepherd mother and her daughter who proudly defend their ancestral mountain from the threat of becoming a NATO military training ground, stirring memories of past violence that once shattered their family.
In his Variety review, Murtada Elfadl wrote, “Reveals itself as an emotionally shattering meditation on grief and perseverance. Gorgeously shot with a quiet, deliberate rhythm, it’s the kind of film that entrances its audience without them noticing. Only at the end does the audience fully grasp the magnitude of the story it chronicles and the natural beauty of the images they have been witnessing all along.”
The director of photography is Eva Kraljević and the editor is George Cragg, with additional editing by Catherine Rascon. The original score is by Draško Adzić.
The producers are Tutorov, Glomazić, Quentin Laurent and Rok Biček. It is executive produced by Megan Gelstein, Andrea Meditch, Bianca Oana, Jean Tsien and Petra Costa. The executive producers for Points North Institute are Sean Flynn, Ben Fowlie and Lucila Moctezuma, and Chandra Jessee and Rebecca Lichtenfeld for InMaat. The executive producers for Doc Society are Megha Agrawal Sood and Shanida Scotland. Meadow Fund also exec produces.
“To Hold a Mountain” is a Wake Up Films Production in co-production with Les Films de l’Oeil Sauvage, Ardor Films and Cvinger Film.
MFS’s current slate includes Ross McElwee’s “Remake,” which won the Golden Globe Impact Prize for Documentary at the Venice Film Festival, and Brydie O’Connor’s “Barbara Forever,” which recently premiered at the Sundance Film Festival, winning the Jonathan Oppenheim Editing Prize.
